The whole company, in one place.
For the coordinator and the UPM. Cast moves role by role from to-cast to offered to booked, with the deal on the row. Crew lands by department with call times that hold, so on day one nobody is reconciling two lists against the call sheet.
Casting, role by role, to booked.
A cast list that works the way casting works. Every role walks the same path from open to offered to signed, and every actor carries their deal on the row.
Where every role stands.
- To Cast → Offered → Accepted → Booked, plus Declined, Hold and Released for the way casting goes
- Drop in a section in one tap: Principal Cast, Supporting Cast, Day Players, Featured Extras or Background
- The list never falls out of step with the script as the draft moves
Character, actor and the deal.
- Columns for character, actor, email, phone, agent, rate, wardrobe and notes
- Filter by status, role size or section; reorder by drag
A crew list built like a crew.
Departments are header rows, and the call time lives where the people do. Drop in the departments you need, camera through wardrobe, then set who works which day.
By department, down to the day.
- Tap to drop in any department, camera through wardrobe, already named
- Per-person role, rate, email, phone and call time, on the row where the people are
- Day assignmentsfrom the crew list or the schedule’s day panel, with day kinds set on the day
Then nobody retypes it onto the call sheet.
Build the company once, and it stops you typing the same names a second time. The cast and crew tables on the call sheet, the recipient list, and the schedule’s day-out-of-days all read from these lists.
Built once, on every page.
- The call sheet’s crew table reads from the crew list, each person with their call time. Cast comes through from the breakdown, with contact details filled in from here
- Cast and crew become the call sheet’s recipient list, ready to send
- New people pull from your contacts, so you type a name once
Send the list, read-only.
The director wants the cast list, the line producer wants the crew. Share a view-only link that opens the list for anyone, no login, so the working copy stays yours to edit.
Anyone can read it, only you edit.
- A view-only link that opens the list for anyone, no login
- Shows the columns you show, in the order you set, with phone, rate and notes held back unless you share them
The rest of the kit.
Scriptwriter
Live co-writing, Fountain & FDX.
TOOL 01 →Script breakdown
Tag the page, fill your lists.
TOOL 02 →Shotlist
Every setup, planned.
TOOL 03 →Storyboard
Frames beside the shots.
TOOL 04 →Canvas
Pin the look on one board.
TOOL 05 →Budget
Quoted against actual.
TOOL 07 →Locations
Scouted, pinned, permitted.
TOOL 08 →Shooting schedule
The stripboard, alive.
TOOL 09 →Call sheets
Built from the schedule.
TOOL 10 →Get in early.
Curtyn is in open beta and free to use. Every tool, one project, and the people who need to see it. Start free and bring your production in.