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PRODUCTION: CURTYNCALL SHEET · DAY 1 OF ∞STATUS: OPEN BETAREV. 3 · JULY 2026
TOOL 01INT. THE WRITERS ROOM - NIGHT
FADE IN:

Write the movie, not the margins.

A screenplay editor in the browser. Type the scene and the formatting follows, so you keep your head in the story and the page stays in proper format.

Start freeFREE TO START · NO CREDIT CARD
Courier 12 · true pages
TOOL 01.1THE FORMAT KNOWS ITSELF

The format follows what you type.

Type INT. and you have a scene heading. Type a name in caps and the dialogue indents under it. You never style a line by hand, and your fingers stay on the keys you already know.

AUTO-FORMATTING

Tab and Enter do the walking.

  • Lines sort themselves: heading, action, character, dialogue, transition. Tab and Enter to flow.
  • Proper screenplay format, the standard for film and TV. Two column and document formats arrive with Pro.
Editor · Scene 12AUTO FORMAT
SMARTTYPE

It knows who’s in the scene.

  • Cues, locations and transitions complete from your own script, the people in this scene first
  • A focus mode and an outline for the long days
SmartType · character cueFROM YOUR SCRIPT
TOOL 01.2THE PAGE IS THE CONTRACT

Page counts in eighths that match the shoot.

A page a minute only works if the pages are accurate. Curtyn typesets the page the way a screenplay is set, so your page count, your eighths and your schedule all mean what they say.

TRUE PAGINATION

Courier 12, every break by the book.

  • Courier 12 on US Letter, true margins. A page here is a page on set.
  • Every scene measured in eighths, ready to schedule, with a live page count and runtime as you write
Page break · 47 → 48AUTO
PRODUCTION REVISIONS

Blue pages, pink pages, asterisks and all.

  • Lock for production and scene numbers freeze; inserts become 3A, 3B
  • Revision marks per changed line, through the standard colour cycle: white, blue, pink, and on
Revisions · lockedPINK DRAFT
TOOL 01.3THE PAGE WALKS ONTO THE BOARD

Then it carries onto the board.

Tag a prop, a cast member or a location on the page, and the same script carries into the breakdown, the stripboard and the call sheet, so nobody re-keys a line. Your script stays yours, in and out.

01Write and tagMark props, cast and locations on the page as the scene takes shape.
02Lock the draftScene numbers freeze, eighths are counted, ready to schedule against.
03On the boardThe breakdown, schedule and call sheet read from the same page.
FOUNTAIN · FDX · PDF

In, out, and back again.

  • Final Draft and Fountain in and out, scene numbers and notes intact
  • PDF export with true page breaks, ready to send
Open / Save · The LanternNOTHING STRIPPED
TOOL 01.4TWO CURSORS ON THE SAME PAGE

One draft, the whole room.

No final_FINAL_v3.fdx in the group chat. You and your co-writer type in the same document, see each other’s cursors, and never merge two drafts by hand again.

LIVE CO-WRITING · COMING WITH PRO

Your co-writer’s cursor, right there.

  • The whole room writes in one live document, named cursors and all
  • Per-writer undo, so ⌘Z never eats someone else’s line
  • Writing seats arrive with Pro. Free shares the script read-only.
Script · The Lantern2 IN THE DOC
SC 07EXT. DISTRIBUTION - OPEN

Get in early.

Curtyn is in open beta and free to use. Every tool, one project, and the people who need to see it. Start free and bring your production in.

Start freeFREE TO START · NO CREDIT CARD
Open to everyone€0 · While in beta
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